DIGITAL JAMMING, by Sheridan Solo Project

DIGITAL JAMMING

by Sheridan Solo Project

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Michael Sheridan Extreme noiz, shred & improv over CD jamming. Duo's with Jon Rose (vln.) & Jim Denley (alt sax). A requiem for Jamie Fielding co-composed with Brooke Shelley. I toured this LP with Mike Patton & Masami Akita (Maldoror) in 1997. My ears bled. Favorite track: R.I.P. J.F. 60 - 93.

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1.	Auton - o - body 00:50	info
2.	Zebit 00:15	info
3.	Surfing Lysol 02:21	info
4.	Contra Punkt 00:50	info
5.	Aping the Youth 01:22	info
6.	Death Medal 2000 05:41	info
7.	Put Yer foot Down 01:03	info
8.	Rats Go For It 02:15	info
9.	Annastasia 03:11	info
10.	R.I.P. J.F. 60 - 93 08:18	info

about

1996 Digital glitch, noiz & shred, sonic recycling, improv.

Random fast forward / rewind some of my fav CD's, scrambled, ramped up through a good analogue desk producing the faux rhythm section, inspiring guitar improv, bouncing saturated sounds off against clean. My jazz.

Duets with master improvisers Jon Rose - violin. & Jim Denley - alto sax.

A collaboration with composer Brooke Shelley's choral digital pastiche titled R.I.P J.F. 60 - 93, A requiem for a dear friend, Jamie Fielding.

These 10 tracks are a 'best of' selected from the original 16 track CD. I do have hard copies available. If your interested please email me at zentithwarecords@gmail.com

credits

released May 2, 2020

M Sheridan - guitar, machines, computer.
Jim Denley - alto sax
Jon Rose - violin

Recorded on Fairlight MFX 2
Mixed & produced by Michael Sheridan
Room 301, Pitt St.
Sydney Conservatorium of Music 1996.

Recording assist - Colin Craven Sands

Mastered by Oscar Gaona at Studio 301

Art execution - David Quinn for A Cathartic Experience

Zenith Wa Records - Digital download - ZWR_018

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about

Sheridan Solo Project Sydney, Australia

The initial experience of seeing/hearing free improvisation in the early '80's was mind blowing. Jon Rose & Jim Denley, master improvisers honoured the invitation to come & record with me for this album.

Not working with a traditional or mechanical rhythm section and using electronics as a medium was refreshing.

Having the access to a well equipped studio was a new & welcome experience. ... more

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